Showing posts with label summer baby touch. Show all posts
Showing posts with label summer baby touch. Show all posts

Sunday, November 2, 2014

Fosmon Mini HDMI Splitter Amplifier 1 In to 2 Out Dual Display with Power Adapter (Supports 3D)

Fosmon Mini HDMI Splitter Amplifier 1 In to 2 Out Dual Display with Power AdapterThis device works, but if you disable one of the monitors it may not function properly.

Arrived on time.

I give only 3 stars for stability.

This splitter is easy to use. It works perfectly to divide a HDMI signal between two destinations in my case between a Television set and a converter from HDMI to Composite Video for input to a computer, and eventual recording to DVD of films.

Buy Fosmon Mini HDMI Splitter Amplifier 1 In to 2 Out Dual Display with Power Adapter (Supports 3D) Now

I bought this to amplify my computer signal through a 30 ft hdmi cable.

Box powers-up. Computer see the box, but TV has no picture or sound.

My computer works on TV with 6 ft hdmi cable.

I saw one customer say that box may not work if one output port is not connected, but i do not have a second hdmi tv to connect to.

Maybe i should buy another tv......NOT.

What a piece of s#!+.

Read Best Reviews of Fosmon Mini HDMI Splitter Amplifier 1 In to 2 Out Dual Display with Power Adapter (Supports 3D) Here

I never have written a review before, but with my experience with this product i felt it was needed. I ordered it to split the display of my pc to my monitor and my tv. When i plugged it in and set up everything, it seemed to work fine (minus the fact my tv wasn't receiving sound from my pc). I noticed when plugged in the box got very hot to the touch. I went to use it the next day and no displays on anything, and it was still hot to the touch. I checked every hdmi cable that i used to see if that was the problem and they worked fine. It was the box that gave me the most trouble. It won't work now and now i have to go through the trouble of returning it.

Want Fosmon Mini HDMI Splitter Amplifier 1 In to 2 Out Dual Display with Power Adapter (Supports 3D) Discount?

I like it a lot, but takes a little to get it going. Is my first HDMI spliiter, compared to a VGA this one takes a wjile to get all the outputs to work properly

Save 56% Off

Friday, October 31, 2014

Sony NEXVG10 Full HD Interchangeable Lens Camcorder (Black)

Sony NEXVG10 Full HD Interchangeable Lens CamcorderWhen I first read about this camera, I couldn't wait to get one. Interchangeable lenses, big sensor, tiny size, HD, 14MP stills and more for 2 grand. It sounded to good to be true, and it was.

I will say that the shot footage looks great, if there's adequate light. But if you shoot something with a busy, repeated texture, moire patterns show up very annoying. Other Sony camcorders in this price range show a very useful zebra pattern in areas of blown-out whites, Sony decided to omit that in this camera weird.

Another strange omission is in the still pictures yes it takes great stills BUT doesn't save them in RAW format, just JPEGs. The lesser cameras in the NEX line save in RAW. Why would Sony do this? It makes no sense. If this thing shot in RAW, Sony would have the hottest camera on the planet.

Controls -you can control most of the functions manually, but you have to go through an array of odd menu functions to do it. I understand that an upcoming firmware update will make this much easier, but for now it's just a pain. Another pain you have to leave the monitor door open all the time to access the controls you can turn the monitor off and just look through the viewfinder (thankfully).

Glass the included 18-200mm lens is very nice good quality glass with just enough drag on the zoom to keep it smooth-I don't miss a motor zoom at all. I bought the wide-angle 16mm lens-which I also like and it's a bit better than in low light than the included lens. I probably won't get the 18-55mm lens (it seems kind of redundant). Sony has promised more lenses in the E-mount line. Lens changing is fast and easy.

Mac Users

Sony and Apple what a sad story that is. You can import footage into Final Cut Pro with Log (Lag? and Transfer, but you won't like how it looks or performs. There are conversion and "wrapper" utilities out there that work, sorta. You're better off using Adobe Premiere Pro CS5 with files from this camera. I prefer FCP, but files from this camera look and work better in Premiere Pro. If you only use FCP, this camera is not for you until Apple and Sony can settle their differences and FCP is updated. Windows users have more options with Sony's own Vegas program, Avid and others.

Sound-The onboard mic is pretty good, and there is a mini jack for an external microphone (no XLR input) but Sony decided to omit manual level control only automatic levels for sound. Once again Sony omitted something that its other price-class camcorders have. If you have to use the onboard audio, everything sounds OK-until you hit a quiet spot then the auto gain pumps up and whatever room noise there is hits you at multi-decibels which means you'll spend a lot of time in post ducking room noise. If you're serious about sound, you'll have to use an external sound recorder. Zoom makes some good ones)

Camera Strap Holders The designers at Sony did not think this through. Really really bad placement. If you have a $2,000 camera in your hands, you have to put a neck strap on it. Sony put the strap holds in a place where your strap will cover the record button AND interfere with the open monitor door. It wouldn't be as big a deal if you didn't have to keep the monitor door open to access the controls. I've tried putting both strap clips on just the front holder-which is a little better, but still a pain. Why didn't Sony put the holders on the bottom of the camera, where they would not interfere with the controls? A mystery.

No memory card is included with this camera. If you order it, you'll need to buy cards so you can actually use the camera. Buy the fastest biggest cards you can afford. Memory is pretty cheap these days, and it's odd that Sony didn't include at least a 1 gig card. Not a big deal, but odd.

This unit has the potential to be a great camera for it's price. The annoying menus, the lack of RAW file storage, the auto-only audio levels, the moire patterns, no zebra pattern and the strap holders keep it average. Sony could fix many of these problems with firmware updates and perhaps they will. I'll add to this review after the upgrade comes out.

If you buy this camera for planned shoots (like indy films or web videos) and have an external audio recorder-you'll like this camera a lot. You can get beautiful work done on it. The glass and the big sensor can give you some of the best-looking footage possible in a camera in this price range.

If you're a live event shooter this probably isn't your camera, yet.

Event shooters would love to have a great hybrid video/still camera. No RAW files and the menu access to controls just won't make it for those who dream of the perfect camera.

One of these days, Sony or Cannon or Nikon or Panasonic or somebody will put it all together the right way and shooters will literally fight with tooth and nail to get their paws on that camera. The rest of the industry will then rush similar products to the market.

C'mon manufacturers! Which of you is willing sell us what we really want?

FIRMWARE UPDATE

All it does is provide auto-focus for Sony Alpha-mount lenses. Nothing more than that. I don't own any of those. Sony did provide a MAC version of the update, which is nice.

FURTHER THOUGHTS (after a month with the camera)

Another problem: the covers over the various ports (power, USB, etc...) are held on with plastic hinges, rather than the rubber "plugs" used on some other Sony camcorders. Not good. I'm really careful with my cameras, but still managed to rip off the one that covers the power supply port. On my older Sony cameras (some are more than 10 years old with heavy usage) this never happened.

This camera also has one of the loudest shutters I've ever heard (when you take a still shot). I've been informed (by rzero21) that it's a true mechanical shutter, so there's no way to turn off the sound. I hope that Sony can fix this in future cameras. Sometimes the photo/video guy doesn't want to be the loudest person in the room.

I really want to love this camera, I've shot many hours on it now, plus taken 100s of stills. For the most part, it all looks great. I've gotten used to the cranky menus (sorta) but I still don't like them. I use an external sound recorder, but I wish I didn't have to sometimes. If it shot RAW still files and had manual control over the audio, I'd buy another one. If Sony's lesser NEX cameras allowed longer shooting times, I'd buy one of those today. The NEX 3 and 5 also suffer the loud "shutter" problem.)

There are lots of folks out there writing Sony and asking (pleading, begging) them not to cripple their cameras. So far it hasn't been too effective. I'm guessing that some marketing genius decided that customers would be thrilled to pay more for an intentionally crippled camera.

TO SONY'S MARKETING DEPARTMENT:

Take a look at the NEX VG 10 user groups on Vimeo and other sites, plus take a look at the comments your own site. I know you've sold a lot of these cameras, but I guarantee that you won't be able keep them stocked if you just fix a few of the firmware issues that your customers are asking for. You could have the hottest camera in the world! Isn't that what you want? (Maybe you could release a few more e-mount lenses while you're at it?)

ONE YEAR LATER

I've grown more fond of this camera over the year but all of the things I mentioned above are still annoying. I see Sony will be releasing the NEX VG 20 in November, and it fixes my biggest beefs audio control and RAW stills. Plus it will have some manual controls that you can access without having to have the blasted monitor door open all the time. Interesting. When it comes out I'll either buy it or the costlier pro version of the same camera. The VG 10 will become my backup camera or a wide-angle camera for 2-camera shoots.

I read the other reviews and have to shake my head. Only one reviewer even mentioned, and only in passing, what makes this camera so remarkable. It has a huge sensor and creates fantastic images. If what matters to you is the arrangement of the shoulder strap or the layout of the menu, by all means stay away from this camera. If you want interchangeable lens, the ability to shoot shallow depth of field and to create great images, take a closer look. This camera is not for everyone, but it does shoot some amazing video.

Video cameras, because of their typically small image sensors, shoot footage that has a very deep depth of field and a limited color range. In recent years many videographers have taken to shooting on DSLRS which have much larger sensors and can produce footage which is far more "filmic" with shallow depth of field and richer colors. The problem is that DSLRs are much better still than video cameras. They are typically limited to shooting for about 12 minutes. They generally do not have auto-focus and sound can be problematical.

The NEX VG-10 is a DSLR that is designed to shoot video. It has the same sensor as the Sony NEX 5 DSLR. Unlike most DSLRs, it does have auto focus. The quad mike is quite good and it is much easier to shoot handheld than a DSLR rigged out for video. The steadyshot stabilization is really nice. The 18-200mm E-mount 11x Zoom is a very good lens that sells for around $800 on its own. I plan on buying the 16mm f/2.8 Wide-Angle lens as well.

The real magic in the camera is the 23.4 x 15.6mm Exmor APS HD CMOS Sensor. There is simply nothing like it in a video camera in this price range. The shallow depth of field is beautiful. If you are used to a camcorder which is always in focus because the small sensor gives you a very deep depth of field, the VG-10 might take some getting use to. If on the other hand you want to be able to keep the subject of your shot in sharp focus with the background softly blurred, this camera can do it, whereas all the older pro and prosumer video cameras can not. The only video cameras out there now (or soon) with this sort of large sensor are the Panasonic PMW-F3 and the soon to be released Sony FS100 NXCAM Super 35mm, both of which cost over $6,000, without lenses.

I agree that I would like zebra stripes and more audio control would be nice, though I still can use my shotgun mikes with or without a Beachtek adapter. The menu system takes a bit of getting use to but isn't bad. I would like built in ND filters but can live with external filters. The camera shoots a native 30P. 24P would be good but I can do that in post. I am not convinced most viewers can tell the differences in most settings.

The VG-10 can also be used as a 14MP still camera, though it does not have a RAW setting. I was looking to buy a video camera, so having one that can double as a DSLR is a bonus.

Overall the NEX VG10 is a remarkable camera that shoots great video. It is not perfect and it is not for everyone. That being said, I am very happy with the camera and video I can shoot with it.

Buy Sony NEXVG10 Full HD Interchangeable Lens Camcorder (Black) Now

I have used this camera over the course of the last month and I would have to say that in general I am quite disappointed with it. However to begin with I would have to say that there are a number of aspects that relate to this camera that are very pleasing. In relatively low light it has produced an excellent picture and the quality of the microphone is very good. If you use the camera on a tripod it is very good but its use in other contexts is feeling much more problematical.

I think that in some ways I am surprised at Sony. I have had great pleasure from a good number of Sony products and that makes me inclined to purchase more of the Sony range. At the same time I have a hard drive high definition recorder that is a pleasure to use from Sony but does not produce the quality of sound nor is it as versatile in low light.

With the camera you do get the Vegas premium software which is excellent, though I did purchase the Vegas pro which is a superb piece of software.

There are a number of issues with the camera that I cannot even vaguely understand. The balance in holding the camera is very poor and it is very heavy in the front. So that if you are filming and pointing forward and move towards the vertical the lens unwinds itself. Now I was trying to photograph some old photographs and had these on the ground and I had to physically hold the lens to prevent it from zooming out.

My other Sony has the pleasure of a touchscreen and this has an unbelievably awkward system of manipulation to try and get to the screen and activities you want.

The sound system does not allow you to control gain and this means that periodically you land up with other unpleasant noise that gets picked up when the microphone suddenly becomes very sensitive. This simply adds to editing hassle or no conceivable value.

It does not come with a strap and I made the mistake of buying one. It has to be the most awkward placement of any strap that you can imagine. It is right in front of the buttons and if you do have the camera on the strap it has to be the most awkward feel that you can imagine.

As a still camera I would have to say that it is excellent, but I do think that the designers that are very poor quality job in releasing this camera so prematurely. The battery housing in the back is so awkward, and there is a very tacky icky piece of plastic to cover the awkward back. My impression is that they want to produce a video camera did not have the courage to make it the same shape as a still camera. They still feel that people must have a video camera that looks like a video camera. However you now end up with this awkward system that is neither fish nor fowl. It is awkward to hold and not pleasant to use.

I first Sony still camera SLR was a similar premature release of a concept where it was not finished off properly.

Sony in many ways produces many outstanding products. At the same time it does do a number of inscrutable things with products that it does release. This camera has the feel of potential excellence, but has a serious lack of resolve from the developers to produce a proper finished product. My impression that they released a half baked concept that relies on the technology but fails on the industrial design and consumer test side.

For it to be a satisfactory camera it needs to have properly regulated sound, the balance needs to be sorted out and the lens cannot behave as it does. The battery needs to be easily accessible and the back needs to be sorted out. If it does need to look like a SLR, so be it! It must have touchscreen.

Read Best Reviews of Sony NEXVG10 Full HD Interchangeable Lens Camcorder (Black) Here

Recently, I went to Disneyland with relatives and shot with both the NEX-VG10 and the HDR-CX550V. While each has its unique advantages, I found I had more fun editing the NEX-VG10 footage. I actually want to watch it over and over, maybe because of the strong bokeh effect, I feel like my work is closer to what we see in movies and TV.

I wanted to support the reviewer before me, that this camcorder isn't as bad as people are making it out to be. Really wish I had this during my film school days... my dream camcorder is the upcoming NXCAM FS100, but not all of us can afford the $5850 retail price tag. Thanks to Sony though, for making the lenses compatible with both models.

Sound quality: I'm very satisfied with the NEX-VG10's microphone. The tiny fur cover is great, I can just leave it on, and the sound isn't muffled at all. One of my main gripes with the HDR-CX550V is that the microphone is too sensitive to wind. The NEX-VG10 doesn't have that problem.

My recommended accessories for the NEX-VG10: a high capacity battery (specifically, Opteka's cheaper NP-FV100), a spacious camera backpack (especially if you're going to get more lenses), 16GB SDHC memory card, 67mm polarizer filter, and quality lens cleaner supplies.

Some minor problems: in bright sunlight, it can be hard to see the LCD, which I prefer over the viewfinder. But if you attach a sunshade to the LCD, it blocks the side controls. Also, I find that the autofocus is a tad slow. Focusing manually is much more efficient. I encountered some moire in shooting rooftops and a chain link fence. Since I bought mine used, I had the misfortune of some weird residue on the sensor. Had to take it to Samy's Camera for a professional cleaning, but it was good as new afterwards (for only $35!).

If you look me up on YouTube, I have some sample videos that you can check out. I think one of the best ways to choose a camcorder is to see what it can do and if it fits your specific needs. For me, ultimately, it's storytelling. There are some NEX-VG10 videos out there that impressed me so much... the sheer emotion that you can evoke with its cinematic shots. Looking forward to making sweet, sweet art with this baby!

Want Sony NEXVG10 Full HD Interchangeable Lens Camcorder (Black) Discount?

i've had a mini dv for the last 10 years, it did a nice job. it finally died and gave me an excuse to buy a new video camera. i love shooting with a digital slr camera, exchanging lenses and so forth, so i love the idea of being able to do that as well on a video camera. i've taking video outdoors and the results are incredible. i recently shot video of my daughters birthday party at a skating rink, low light atmosphere. this camera still managed to take gorgeous video in low light. i've not played around with any of the manual settings, just left it on auto. i've not been disappointed at all so far, it's a huge improvement over my minidv camcorder. i'ts a bit pricey, but if it last me at least 10 yrs while my daughters growing up it's worth it.

Wednesday, October 8, 2014

Mitsubishi EW270U DLP WXGA Projector

Mitsubishi EW270U DLP WXGA ProjectorUsing this projector at my church to replace another Mitsubishi one that went out. It worked great. I was a little put off by the confusing title but it was a new EW270U i received at a great price. It different from my old Mitsubishi in that it doesn't have RGB component input but does have RCA (yellow) video, HDMI and VGA. Projects wide-screen without issue. I'm using a C2G video splitter to project on a monitor as well without issue. I'm satisfied with this purchase.

This projector turns on and works! But really, everything arrived in order and it was easy to get this projector working. The color display is very good.

Buy Mitsubishi EW270U DLP WXGA Projector Now

Tuesday, September 9, 2014

Optoma PK120, nHD, 18 LED Lumens, Pico Pocket Projector

Optoma PK120, nHD, 18 LED Lumens, Pico Pocket ProjectorThis product isnt useful. The picture is very faint and blurred unless the projector is placed right next to the wall (and then the picture size is no bigger than my 15" laptop screen), so whats the point? I unfortunately didnt need to use it immediately and when I finally tried it and discovered just how bad it was, the return window had expired.

my first pk 120 was delivered without sealed interior packaging and missing cords and other critical parts, clearly used, returned and carelessly shipped out to the next unsuspecting customer. the replacement appeared to be new but had no instruction manual, was made of flimsy plastic, had inconsistent power and was generally a piece of, well, you know. just say no to this one.

Buy Optoma PK120, nHD, 18 LED Lumens, Pico Pocket Projector Now

My wife and I purchased this item as we wanted to share our pictures with family and friends that we took in Alaska. (1)To begin with all the needed cables were not included (2)there was no user manual included and when I tried to download it it would not download (3)when I called the customer support # the person(guy) on the phone was less than helpful, and he told me in no uncertain terms that I should just return or send the item back which is what I did. If the Co goes broke it will be no suprise to me with a customer support line like that.

Read Best Reviews of Optoma PK120, nHD, 18 LED Lumens, Pico Pocket Projector Here

For small rooms and small audiences is a good device, but if you want a projector for more than a dozen people, this is not the item you should buy.

Want Optoma PK120, nHD, 18 LED Lumens, Pico Pocket Projector Discount?

the pico throws up a respectably good picture with pretty good clarity it's the kind of image/experience I'd hoped to have for travel use.

The disappointment for me is the proprietary input connector, which I could live with if optima actually produced input adapters for micro HDMI or MHL. If I could use my android phone/tablet as the source, then i'd have a literally pocket sized home theatre. As is, with only analog VGA/RCA inputs, my only portable source for media is my laptop, which I don't like travel with much these days, thanks to tablets. The miscro SD card source wouldn't read most of the formats I threw at it.

My mistake for not considering the impact of the limited inputs, but it would have made an okay device into an awesome one.

Saturday, August 23, 2014

IOGEAR GHDC1402P High Speed HDMI Cable with Ethernet Supporting 3D and Audio Return, 6.5 Feet (Blac

IOGEAR GHDC1402P High Speed HDMI Cable with Ethernet Supporting 3D and Audio Return, 6.5 FeetThis is my 8th GEAR HDMI cable. No other cable I've found has heavy duty braiding around the cable like theirs does. And it had gold-plated plugs with removable protective plastic covers on the ends of the plugs. They come in handy for use with my laptop. Keeps the ends free of dirt between uses.

It is an HDMI cable. It's thick and sturdy, does everything it's supposed to. Plugs in, holds firmly, carries video and other signals. I have no regrets.

Buy IOGEAR GHDC1402P High Speed HDMI Cable with Ethernet Supporting 3D and Audio Return, 6.5 Feet (Blac Now

If you have this cable and you compare it to another similar type. You will notice that the quality is very good. And for the price, it is very good. Can't complain about it

Read Best Reviews of IOGEAR GHDC1402P High Speed HDMI Cable with Ethernet Supporting 3D and Audio Return, 6.5 Feet (Blac Here

Exactly what I needed. Long length and worked perfectly. Recommended by someone who knows electronics. I needed to have a reasonably long cord which would extend to a projector to be able to make a Keynote presentation from my iPad Mini.

Want IOGEAR GHDC1402P High Speed HDMI Cable with Ethernet Supporting 3D and Audio Return, 6.5 Feet (Blac Discount?

Tuesday, August 5, 2014

Sony Alpha SLT-A57 16.1 MP Exmor APS HD CMOS Sensor DSLR with Translucent Mirror Technology and 3D

Sony Alpha SLT-A57 16.1 MP Exmor APS HD CMOS Sensor DSLR with Translucent Mirror Technology and 3D Sweep PanoramaI have used a Sony SLT-a55 for the past year and a half and purchased a number of the Sony and Zeiss professional lens. This combination has produced very good output. Some of the finest pictures I have ever taken were with the a55. However I was annoyed that the camera was not as responsive as my a700 and the overheating problem during video recording. So I preordered the SLT-a57 March 18th and it arrived yesterday. I have only had the camera one day and I am very impressed and think the upgrade from the a55 is very good. I think the Sony SLT cameras offer an excellent feature set. I am a fan of the EVF technology. Much of my photography is done shooting stage events where the lights vary greatly across the stage. I love being able to see the adjustments of the camera setting in the EVF and shoot without needing to refer to the output on the LCD screen. What you see is what you get. I can concentrate on the subjects and wait for just the right moment in the action. I prefer to compose the scene through a VF anyway. I no longer take an OVF camera to stage events. Getting the right exposure is so easy with an SLT camera. The exposure on stage can easily vary from 1/30 to 1/640 sec at F4 depending upon the subject position relative to the lighting, especially spotlights. I no longer do any exposure bracketing. I also enjoyed the continuous focus during video recording (DLSR AF during zooming while video recording is poor), and in camera HDR feature that works very well. I do prefer an OVF camera for studio work with strobes. I have been very impressed with two other features of the SLT-a57 already. The first one is focus peaking during manually focusing. I have poor eyesight and could no longer manually focus a scene. But with the focus peaking feature my manual focusing that been restored. It is like a part of my vision has been restored. I now would buy a Sony SLT or NEX camera just for this feature alone. The other feature that appears very impressive is the clear zoom feature where the picture quality is processed and improved over what one usually gets from a digital zoom which degrades the IQ. You can zoom up to 2.8x on any lens attached to the camera. I have uploaded two pictures for you to see the magnification of my CZ 16-80 zoom lens at 80mm while lighting the subject with bounce flash (These are jpg pictures right out of the camera. Notice the knots on the beaded jug as a reference). I now will have a very nice combination with my a77 for event photography with some SSM lens. I want to thank the engineers at Sony for this feature set. In the past I felt that Sony offered some excellent lens but that each of their camera models was lacking an important feature. Now I feel that Sony has produced two excellent cameras in the SLT a77 (I bought it for its AF system (which is great) and the ability to micro adjust lens focus) and the SLT-57 model. They are very fun to use with a super feature set. They are fast, feel good in the the hand and produce very nice pictures indeed.

I tested the clear zoom feature further tonight and I think that it works as advertised which is amazing. You can digitally magnify the image up to 2.8x more while still retaining very good image quality through Sony's image enhancement feature. I included some pictures taken with my telephoto lens on the Sony a57 product page here on Amazon shot at an 8 Mp resolution. Look for yourself. I made my 200mm telephoto lens a 400mm with the push a button. There is a picture taken with my 400mm lens for comparison. It doesn't look like a gimmick to me. 4-29-12 I uploaded more pictures to the Sony SLT-a57 product page after a trip out "birding" with an 400mm lens. I think people interested in photographing wildlife should consider this camera.

Update: 5-23-12. Recently, I shot 3 stage events and I am satisfied that this camera's clear zoom feature works just as well indoors as outdoors. I was very impressed with the reach of this camera and the IQ of the images using it with a Tamron 70-200mm f 2.8 lens. I did not need to go above 1600 iso to get the shutter speeds I needed even with dancers and felt no need to do any noise removal in post proceeding. The feature set of this camera gives one so many options. Using the focus peaking feature with manual focusing more and more.

Another problem that is resolved when using the SLT-a57 when shooting stage events (formal concerts like choir or orchestra) or weddings is how quiet the shutter is. It is almost silent. In the past using a OVF camera with a moving mirror I could not get the shots I wanted for fear of causing shutter noise at a time when everyone in the audience should be quiet like when a soft song was being played or sung or when the couple is exchanging vows during the wedding. I would have to wait until a rise in volume occurred so the shutter noise would not be noticed. Often during concerts I shoot video and take still pictures (with two different cameras) at the same time. Then when I played the video back I could hear every shutter click when using the OVF camera like my a700 or a580. What a pain. Now I record video and shoot with the SLT-a57 at the same time and I do not hear the shutter in the video at all. Now I shoot whenever I want during the event. I love the freedom a quiet shutter mechanism gives me. The a77 also has a very quiet shutter as well. I am very happy with this purchase.

Update 10/27/12. I have shot with this camera for another 6 months and my satisfaction has only grown. I love the focus peaking feature for manual focusing. It is the best focus assist system for manual focusing in the world. I have shifted over to become a full manual mode shooter. I now have raised my photography to another level. Another feature have works excellent as well is sweep panorama. My sunset pictures are even better. I do agree with other people that Sony needs to improve the jpg engine of all their cameras especially with shooting in the shade. Anyway this is a class leading camera. An excellent choice for someone starting photography.

I purchased this from another retailer before it was available from Amazon. I needed it in a hurry because my A100 failed. The a57 is a very good camera but it took some getting used to.

This is my first SLT so I found the LCD viewfinder to be a bit strange at first when using a DSLR. It is very bright, and has a bit too much contrast when shooting in very bright sunlight. The LCD multiple angle live/playback/menu screen is great. Easy to see even in bright daylight. Being an SLT (single lens translucent mirror) camera, the a57 is extremely quiet when taking pictures. I use the Intelligent auto mode or the P mode most of the time as opposed to the Superior mode. I don't want the flash to pop up on its own when shooting in low light, which it does very well. All my older Minolta AF A mount lenses work well with the camera, including my Sigma 28 f2.8 macro lens. My older HVLF36am flash is completely compatible with the a57 as well.

The camera body is the same size as the a100 although a bit lighter in weight. It has a comfortable grip with room for all my fingers (no pinky hanging off like with earlier Sony DSLR models). The controls are layed out logically. There is one minor problem...it is possible to hit the movie button by accident. I would prefer a slide switch to start a movie as opposed to a button. You can eat up your memory card without even knowing what happened if not careful.

I am still a guy who misses film (I had my own color darkroom) I shot mostly 200 ASA negative film and 400 ASA in very low light conditions. So at 16 MP I feel that the A57 takes very sharp pictures in all conditions. I took a look at the a65 with its 24 MP and its brighter OLED View Finder but really did not see enough advantage to the camera to spend an extra 200 bucks. I think Sony had that in mind when they replaced the a55 with the a57. If you really want the extra MPs then 200 bucks is not bad, but you don't sacrifice much if you go with the a57. As a matter of fact you get a couple of new features with the a57 not available with the a65. One is Auto Portrait Framing. When taking a picture that captures a face, you can center and snap and the camera will automatically save a second image, re-frame the shot using the rule of thirds. Pretty cool I think. Also, if you are willing to shoot at a smaller picture size, the a57 will fire at 12 frames per second. At the largest pic size it will shoot at 10fps. Not bad for action shots. Last the a57 will shoot at 16000 ISO which for all of us old film buffs translates to a lot of pushing in the darkroom.

Not having used an SLT with electronic viewfinder before, I found out that there are things I like... such as the level indicator, and things I don't like..like too much info cluttering up the viewing area. Fortunately info displayed is optional and you can change how much you want to see.

The a57 uses the larger M size battery, the same newer battery for the a100. The a55 which the a57 is replacing uses a smaller battery, which doesn't last as long and tends to get hot as well.

The Pros of this camera are many....sharp pictures even in low light. Records movies easily (also a con)

Terrific number of auto shoot modes for all kinds of conditions including portrait re-framing and auto HDR along with multi frame exposure for low light conditions.

Uses the large M batteries.

Bright LCD multi angle live/review/menu screen.

Cons (keeping the camera from getting a full five stars)

View Finder screen has too much contrast when shooting in bright daylight, .

Easy to hit the movie button by accident...with a finger or against your chest.

The camera has some fun things I have not used yet..such as the panorama sweep mode, both 2d and 3d. Not having a 3d television I doubt that feature will get used much.

All told I look forward to using this camera for a long time to come. I will say this...I still like looking through an optical VF so my a100 is going in for repair. Using the a57 and the a100 together should allow me to do just about anything including shooting HD movies.

I am updating my review, now that I have learned a bit more about the camera and giving it five stars.

Buy Sony Alpha SLT-A57 16.1 MP Exmor APS HD CMOS Sensor DSLR with Translucent Mirror Technology and 3D Now

Sony a57 is a really fantastic camera.

Handling of the camera is excellent and the way better than any competitor.

Its design and built quality are simply perfect, it fits in hand ideally. Not only that it's easy shooting with various settings with a57 but it's also very pleasing.

The shutter is really quiet and smooth. The electronic first curtain shutter significantly decreases sound and vibration caused by shutter mechanism.

Articulating screen is very useful and once you get used to it's a very comfortable and necessary feature to have.

Viewfinder is more than good enough, although it's not as good as OLED EVFs we have seen in high-end SLTs but it's much better than competitor's small OVFs. Most important thing is that with EVF "what you see is what you get" unlike OVFs where you have no clue what your final image is gonna be like.

One more thing, manual focusing with traditional DSLRs is a really headache, it's almost impossible to get accurate shot since the OVFs of entry-level DSLRs are ridiculously small, but with EVF you can use MF magnification or Peaking feature and never bother again how accurate focus will be.

Autofocus is really fast, unlike nikon competitors you have built-in AF motor that you can use with old excellent minolta lenses. Face detection, object tracking and AF area features are on board, so you have great ability to customize Af behavior. The shooting speed is excellent, at least twice as fast as rivals and a57 has a HUGE BUFFER SIZE (21 raw+jpeg) that takes fast shooting experience to a higher level. Video quality is outstanding, full HD 60fps is really enough for even advanced video shooters and customization of video is much better than firs generation SLTs. One downside is that if you shoot with AF you can't go wider than f3.5 and it's a shame but with excellent peaking feature you can shoot with manual focusing without any trouble.

There is not reason to talk much about image quality. It's excellent and it's not big news that 16mp sony sensor is really great. I think everyone is aware of that, since D5100 D7000 A580 A55 A35 nex-5n etc. have the same sensor. Some people claim that a57 sensor is improved over a55 but it's not true. Raw image quality is exactly the same. The one thing sony is still behind from canikon is it's jpeg engine. While White Balance colors and contrast are very good, sony a57 still fails to get as clean and detailed jpegs as the sensor allows. At low iso images are fine but at high iso NR shows its ugly head (I always keep it at Low setting).

I won't talk much about features. Clear image zoom is really gimmick and does nothing useful and auto portrait framing is only for kids under 10, it uses RULE OF THIRDS composition and crops picture, if you can't do it yourself and if you don't enjoy framing during taking pictures then why you should buy 700$ camera? So those are features that I turned off the second I got the camera and never turning them on again. Peaking, HDR, panorama and painting effect HDR are really useful features.

Before the listing of cons I want to say why this camera is better than Cnikon rivals.

WHY YOU SHOULD CHOOSE A57 OVER NIKON COMPETITORS:

A57 has much better handling experience, is much much faster, has Larger buffer size and much more features.

A57 has Built-in focus motor and Built in image stabilization so you get IS and AF with every lens you attach and with nikon you get neither of these with old lenses.

People say that nikon has the same sensors and recieves extra half stop light but come on, while nikon gathers 1.5x more light sony has steadyshot and can shoot at least 3-4 times longer with any lens, so you can get at least 2 times more light, so in most cases(except you're using stabilized lens on nikon) you get at least one stop ISO advantage with sony.

OVF technology is really old and uncomfortable and it's obvious that with SLT you have much more chance to get right shot than with SLR.

OLD minolta lenses are soo cheap and so good, you can get under 100$ some excellent lenses and have full functionality.

much better video with full-time PD autofocus.

WHY YOU SHOULD CHOOSE A57 OVER CANON COMPETITORS:

canon has fallen behind in sensor technology. Image quality of Sony sensor's are much superior to canon's.

even with extra half stop light canon iso performance is no better than sony

in terms of Dynamic range and color depth sony really puts a shame even canon's pro sensors.

much better video with full-time PD autofocus.

much better build quality, much faster, and 5 times larger raw buffer kicks canon out of game.

Cons of A57:

can't choose ISO other than power of two (x 100).

Not-so-good Jpeg engine without opportunity turning of NR.

No auto ISO in manual mode.

No hope that sony will ever do firmware upgrade.

EVF refresh rate still has to be improved.

EVF dynamic range isn't match of sensor's DR.

Aperture limitation on Video (when using AF).

Bracketing has only two options 0.3 and 0.7 EV.

Most of features doesn't work when you shoot RAW+jpeg (it's soo distracting).

ISO buttons location is far from perfect.

Why the "?" button isn't customizable and who needs the button that doesn't do anything but showing guide?

To sum up a57 is a great tool for photographer and it not only does many things but does everything well. This is a camera you'll fall in love with and this is camera that shouldn't be pared with crappy 18-55 kit lens. I highly recommend to everyone buying this camera. Cheers!

Read Best Reviews of Sony Alpha SLT-A57 16.1 MP Exmor APS HD CMOS Sensor DSLR with Translucent Mirror Technology and 3D Here

I am a photographer with more than 20 years of experience, and I was looking for a near-professional camera and great walk-around lens. i evaluated the Canon T3i/T4i, and Nikon 5100... all of those are good cameras, but the price/features is biased by the "pedigree" of the brand.

The Sony A57 is a great camera, feature rich, the body looks great, it takes great pictures, and the battery last over 500 pictures.

Why Sony?

Pros:

LCD viewfinder, finally on the viewfinder all the relevant info is available, this camera is not a DSLR, but a "translucent mirror", which removes part of the vibration of physically rising the viewfinder mirror on each picture. on this the Sony is way more stable and less prone to vibration when taking pictures, the only "moving parts" are the sensor stabilization, and the sensor curtain.

High ISO sensor, and multishot Noise reduction (takes several pictures and combine them to remove image noise of high ISO settings)

12FPS at 8MP o 8fps at 16MP. no other "pedigree" brand beats that.

Great Lens. the 18-135 F3.5-5.6 is a great walk-around lens.

Great on body features, like HDR, Panoramas, 3D panoramas, fullHD 1080P videos in 24fps, 30fps and 60fps.

On body image stabilization: this means that you can use any old Minolta AF lens and get the benefits of the image stabilization found on the Alpha Body. On Canon or Nikon, if you need image stabilization, you need to buy expensive new lenses.

Cheap and available Minolta AF (Maxxum and Dynax) lenses, flashs and accessories. I bought out from ebay 6 near mint different lenses for less than 300$, and 2 Minolta Flashes for less than 100$

On body motor for lens AF. (Sorry Nikon I still have a grudge on you for the motorless bodies, many of my old Nikon AF lenses are now manual focus, and on Ebay to buy additional Minolta/Sony lenses).

The body embedded flash, is good for 25-30ft pictures, good for indoor pictures.

The camera has all the wireless flash features on the body to fully take advantage of any Minolta wireless AF D flash or new Sony flash.

Cons?

No grip (official or 3rd party) available for the camera yet

APS-C sensor crop hits you on the fish-eye/wide angle lenses, killing a 1/3 of the view angle. this is a common problem for all cameras not full frame.

Side comments: if you buy a DSLR/SLT camera (any brand) make sure that you buy a cleaning/dust removal kit (sensor, mirror and lenses). my pick?:Giotto's Rocket-Air Blower Professional AA1903 Large (Red) + Lenspen Lens Pen Cleaning System + Lenspen Digi-Klear LCD Monitor Pen Digital Display Cleaning System + Accessory Kit for Canon, Nikon, Olympus, Pentax and Sony Digital SLR Cameras this worked wonders cleaning some dandruff off the mirror (windy day lens change)

UPDATE after 3 months of usage:

The camera performs great, after learning more of the options, the camera keeps impressing me. With a Minolta 50mm 1.7 lens, at night, with the light of only a single birthday cake candle i shot a great sequence of a friend blowing his birthday cake candle, amazing stuff, no flash, 12fps, and lights where solid and warm. camera is great. buy it now that the price dropped a few hundred dollars.

UPDATE after 8 months of usage:

This camera still amazes me, solid performance... I had the opportunity to play with 3 wireless flashes (2 Minolta HS5600D and one Sony 5600)... amazing results and the camera has the wireless built in... Chalk that one up for the A57 against "entry" same price range on Canon or Nikon.

I also added a few "expensive" lenses to my bag: a Sigma 170-500 F5.6 Super Tele-zoom. great for long range outdoors. the A57 performs awesome, the built in motor on the camera allows to use those oldie but goldie glasses.

Latest Firmware also adds on camera corrections for additional new wide angle lenses, to correct chromatic aberrations and distortions.

Don't buy the new A58 as a replacement of the A57, since is a more of a mix between the A37 + A57, not an upgrade... if you are looking for a upgrade, check the upcoming A7x when available, or wait for the A77 to lower the price.

Want Sony Alpha SLT-A57 16.1 MP Exmor APS HD CMOS Sensor DSLR with Translucent Mirror Technology and 3D Discount?

OK, so this review isn't going to be anywhere near as technical as most I see posted. And it won't have a lot of direct comparisons of competitive cameras. What it WILL have is my opinion of this amazing camera after using it for a month, and how I wound up choosing it.

To begin with, I used to do a fair amount of SLR photography back in the 80s and 90s. I was never all that serious about it, though, and switched to point and shoot digital cameras in the late 90s. And until recently, we've been perfectly happy with the good quality digital cameras we've invested in. The one exception has been for taking pictures of my son's basketball and daughter's volleyball games. No matter what we did, we couldn't seem to avoid blurry pictures where you can barely make out faces.

After some research, we decided that going back to SLR was the way to go. But coming back to a big camera isn't enough in itself. You really need to buy lenses with f-stop ratings at 2.8 or lower (2.2, 2.0, 1.8, 1.4, etc). Some of this can get expensive quickly. But luckily, Sony has a couple of very nice lenses (the 50mm 1.8, the 85mm 2.8, and the 35mm 1.4) for not a lot of money. I skipped the kit lens.

So how did I end up buying this camera? Kind of by accident. Starting out, I was convinced I was looking at one of the Canon Rebels. Then I read great things about the Nikons in their D-series (D3100, D3200, and D5000). So I was focused on picking one of those. Then I read an article saying that the new Sony cameras can use older Minolta autofocus lenses, which piqued my interested. I have some old Minolta AF lenses, and it would be nice to be able to use them again. But that alone wasn't enough.

So the research began. At first, I was put off by how many people had really negative things to say about the Sony cameras. But eventually, it occurred to me that almost everyone who was slamming them DIDN'T ACTUALLY USE THEM. Most were people with long-stated preference for Canon or Nikon. Which is fine, but not really helpful. Once I focused on reviews from people who are actually using the Sony cameras, it became clear that people who own them love them. That, combined with the wealth of features (big, bright, pixel-dense display, easy to use auto and program modes, great video capabilities, ability to use Minolta lenses) left me favoring the Sony slightly before purchase.

Now, after using the camera for a month, I can say without question that we made the right decision. We've already taken hundreds of photos in all kinds of situations, and without fail this camera delivers. Granted, it sometimes takes a little playing around with the settings to get what I'm looking for, but as I'm learning there's less and less of that. If you're new to digital SLR cameras, the Sony does a decent job explaining itself to you, and there are plenty of online resource (youtube videos and the like) to help you figure out the features and make the most of them.

So my recommendation? Unless you just have a preference for Nikon or Canon, you will likely love this camera. It takes excellent photos, and that's what it's really all about.

Saturday, February 1, 2014

Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras

Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR CamerasThe short version:

Pros:

The optical quality is great, the speed is terrific, and it compares well to the 70-200mm lens that people like to say blows this out of the water (I believe they are wrong but we will get into that later) and finally, the price cannot be beaten. Buy it.

Cons:

No hood, extends as it zooms, and the quality of the picture in low light situation lessens a little.

The long version:

I am writing this in simple terms. I found several, several reviews on this lens but they were all in technical terms and leaves you scratching your head a little. So, if you are like me maybe this review will help you.

I bought this lens a couple months ago from US1Photo.com (check these guys out. They regularly have significant sales and terrific customer service). I use this lens with a Canon 40D.

I take several types and styles of pictures so I needed a lens that would do the best job at several things and have a very affordable price (right at or less than $1,000). I looked through new, used, third party (Tamron, Sigma, etc) lenses, and read too many reviews and looked at too many images to count, and spent four hours in a photography store playing with lenses before I decided to spend money and take advantage of this lens. All in all I spent about a week's worth of time in research and testing before I bought this lens.

---

Edit:

Okay, so amazon won't let me put a link here. This is how you find me.

~Go to Flickr

~Then type in a "/" then "photos" then "/" and last type in "gman_five0"

And that should take you there.

---

Test of comment #1:

~The Canon EF 70-300mm f/4-5.6 IS USM does not track moving objects very well and the farther to the end of the zoom the slower the tracking.

(Flickr Gallery page 2)

This, I have found, to be completely wrong. I have used the lens at several sporting events and found that it tracks rather nicely. I was able to track every step of a base-runner from first base to second, slide, and recovery after the play without losing ONE shot.

To see what I am talking about check out my gallery on Flickr. The older ones are NOT done with this lens or camera and taken, actually, several years ago. I will reference the pictures in question.

Safe, Got There By a Mile, Breaking Up That Double Play (please note that as time goes on from the date that this was posted the pictures may have been re-moved). Also, "Safe" was used instead of another shot taken at the same time and angle with a 70-200mm IS lens.

To take these shots I used "AI focus" and the "H" settings on my camera for quicker tracking and the H settings for about 6 frames per second.

Test of Comment #2:

~The 200-300mm range is nice in theory, but a tack-sharp photo from the 70-200mm f/4L at 200mm is going to look better cropped than a 300mm full-frame photo from this lens.

Again, I found this to be wrong. Though I have no actual "full sized" picture for this if you comment back with an email address then we can arrange a viewing of one. Otherwise, take my word for it, I own several lenses and this one stacks up well.

(Ref Flickr Gallery)

The pictures from the Dance Theater and Tashina were all taken at the 200-300mm focus lengths. Again, they are not full sized because of photo pirates, but if you email me we can see about full sized shots.

Test of Comment #3:

~The IS motor is loud

I do not know what these people are talking about, but if you call that loud...

On the other hand, I have heard (once), the sound of the IS motor, but if you are not listening for it you will not even notice it.

Things I have found about the lens:

If you spend some time with the lens will be one of your best friends. It is a great lens especially for people on a budget (like me). To take the best pictures you cannot just twist it on and go to shooting. Take the time to LEARN about the lens (change shutter speeds, ISO settings, aperture, white balances, etc) and it will show you where it shines just like the L series lenses and the 70-200mm IS.

This lens has a solid make and feels like it will last forever. Then again, as you zoom the lens does extend and is plastic. So, watch out if you are doing sports. You may get it knocked off. It did well for me, though. Extending while zooming makes putting a hood on the lens a bit (very little; so little that you cannot tell) awkward and it looks kinda goofy.

I like the lens because it is not as bulky as the 70-200mm lens and it is extremely mobile. It is as quick as some other lenses, not as quick as some, and quicker than others. It will give you great quality pictures. It does have its limits, however: in low light situations not being able to take it back a couple stops and get a wider aperture will not give you the same shot as a 70-200mm. Then again, like I said, it doesn't drop to that f/2.8 and does not cost all that money. This has been the single drawback for me about the lens.

I use this lens for portraits (Tashina, Samantha), for sports (see gallery), and music (Shawn Pander See Gallery). So, it's pretty versatile. I have yet to use with it flash, but that is because I simply do not like to use flash. I have yet to use it in a studio setting, but when I do I will amend this review and add a couple of those pictures as well.

This lens comes highly recommended from me. I am not a big time, highly paid, or well known photographer. I just like to shoot and like what I shoot to be of the best quality that I can have AND afford at the time. So, if you are like me and cannot spend the needed $1,500 $1,700 on a 70-200mm IS lens then spend your money on this lens. You will not be sorry for it.

---

On another note, comments are welcome. This is my first ever review on here so let me know if there anything else that you would like to know about and I will do my best to answer the question in the most plain terms as possible.

After debating between this and the 70-200 L series I decided to purchase this lens. I have been pleasantly surprised by the results. I also own the 17-85 and the 50mm 1.8 lenses and I have found that I have gotten the "most pleasing" results from this lens. The pictures have been very sharp from my 20D even in the 200mm 300mm range. I've also been happy with the quality of the bokeh.

The primary drawback I see is that the AF tends to hunt a fair amount when confronted with low contrast images. That being said, I used it for some flying bird shooting at the wildlife refuge and was surprised to see how many of the shots were in sharp focus. However, it was a little bit of all or nothing. Several shots were also wildly out of focus. Since the lens is fairly slow to focus, you never know what you're gonna get with such a fast moving object against the distant sky.

I had much more consistent results when shooting soccer, softball and football in the park. The AF speed did not present an issue for any of these activities and the results were excellent.

I wish the lens were a little less expensive but I the prints I have gotten from my 13 X 19 printer have been worth the extra money.

Buy Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras Now

I bought this lens as a replacement for the earlier 75-300mm IS lens. I was generally happy with that lens, but it had definite limitations I needed to shoot at f8 or f11 and bump up the ISO to get a decent shutter speed.

This new version seems sharp at full zoom even wide open, allowing me to use a lower ISO setting. Size is similar to older version, but the IS seems more effective looking through the lens when it kicks in you can actually see the image become more stable and less shaky. I got this over the Canon 70-200 f4 L because of the extra reach, smaller size (slightly) and the images I've seen from both are very similar.

UPDATE: There have been reports of soft images when using this lens in a verticle orientation however I have not experienced this on my copy. I'm happy to say that after months of using this lens, I still consider it great.

Read Best Reviews of Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras Here

I owned this lens' predecessor, the Canon EF 75-300mm f/4-5.6 IS. That lens was horrible. When I read many good things about this new 70-300mm IS lens, I thought it was time to upgrade. But, it was difficult to decide whether buy this lens or the Canon EF 70-200mm f/4L. I bought this lens and it was my mistake.

While it has numerous improvements over the 75-300mm IS, there are still some shortcomings with this lens that keep it from competing with the similar-priced 70-200mm f/4L.

First, starting at around 150mm-200mm and getting worse as you approach 300mm, this lens gives images that look soft (no, I'm not using any filters!). This is not an issue of focus, but of low-cost consumer-grade optics. You can stop the lens down and get some improvement, but then you lose your depth of field. (EDIT: The sharpness problem with my lens was the result of using it in portrait-orientation, a defect among the first batches of this lens. Canon repaired the lens for free and it became sharper, no matter the orientation, but still not as good as the 70-200mm f/4L).

Second, the focusing speed is slow. New in this lens is variable-speed focusing; as the zoom passes 200mm, the focusing speed slows. I assume this is to prevent the missed-focus hunting common with its predecessor. But, this makes it harder to track moving objects and keep them in focus.

Third, this lens suffers from very ugly purple chromatic aberration. This lens really shows this problem too, in that even small bright objects develop purple halos.

Finally, the lens gets larger as you zoom, the lens gets larger when you focus, the front of the lens moves when focusing, the focus ring moves when auto-focusing, the zoom retracts by itself when pointed upward (EDIT: last item was fixed by Canon during the above-mentioned service), and I'm sure there's more I'm forgetting... But none of these problems exist with the 70-200mm f/4L.

This is not "the hidden L lens" as one reviewer said, it is nothing but a common consumer lens with a big price tag. The IS feature is the single sole benefit. If you have very shaky hands you might just need this lens. If you have very steady hands, with IS you can use this lens in the dark of night (assuming you have a very still subject). The 200-300mm range is nice in theory, but a tack-sharp photo from the 70-200mm f/4L at 200mm is going to look better cropped than a 300mm full-frame photo from this lens.

If what you want is a very high quality lens that will give you sharp photos in daylight; buy the 70-200mm f/4L lens instead, it even comes with a hood. The hood for the 70-300mm IS lens is another $40, making the 70-200mm f/4L a lower priced lens (and it even comes with a bag!).

UPDATE 10/3/11: I'm now using my 70-200 f/4L with a Canon 7D and it is fantastic. I cannot fathom why people even consider this 70-300 given the economical availability of the 70/200 f/4L. The extra 100mm and IS isn't worth it given the major drawbacks of expanding size, rotating front element, plastic construction, and lack of comparative quality. You don't need IS as much as you think you do, especially if you've been taught how to shoot steady and follow the simple rule of using exposure speeds that are numerically higher than your current zoom setting (at 200mm make sure it's at 1/200 exposure time or faster).

Want Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras Discount?

The Canon EF 70-300mm f4-5.6 IS USM telephoto zoom lens replaces the first Image Stabilizer lens of its kind, the Canon 75-300mm f4-5.6 telephoto zoom lens. It offers now up to three as opposed to two apertures in image stabilizing mode, as well as slightly wider focal length. The current June 2006 Popular Photography issue has a fine test report on this lens, showing that it is capable of excellent contrast and resolution in the range from 70mm to 200mm; at 300mm, both contrast and resolution decline slightly to very good, but still an excellent result for a zoom lens in this class. It is also fully compatible with Canon's digital SLR cameras (112-480mm equivalent), with improved lens coatings optimised for digital sensors. Without question this is an excellent lens for the Canon photographer interested in excellent nature and landscape photography, without resorting to a sturdy tripod to hold both the camera and lens; thus it is also quite suitable for handhold panning shots at most outdoor sporting events held under good weather conditions.

Saturday, January 11, 2014

Samsung CL80 14.2 Megapixel Wi-Fi Digital Camera

Samsung CL80 14.2 Megapixel Wi-Fi Digital CameraReally love this camera. I bought if for my wife so she could email and send pictures to Facebook without having to transfer pics to our computer first. Easy to set up and use. Just got back from two weeks of vacation and we didn't use our digital SLR at all because this camera takes such great pictures. Also, the video in HD quality is outstanding.

Some of the "smart" modes had problems, but I've found this true with all digital cameras. The regular point and shoot mode works best. The options for scenes are very good. I took some of the best sunsets shots I've ever taken with this camera.

Here's a good video review of the camera:

I was a bit concerned when I first saw this camera reviewed. I love the idea of a network connected camera if for no reason that being able to delete shots and clips off the memory card directly to places like flicker and youtube. Once they are in the cloud, they are reasonably secure until I can download them later and burn to my NAS drive. But if the quality of the photos suck, what's the point?

What was really cool, was that I was able to transfer pictures to my Android phone via Blue Tooth too. I have uploaded files many times without any issues.

Up until this camera I have been a die hard Olympus fan going all the way back to the UZ-2100. Even though it suffers from good pixel saturation, that camera had EXCELLENT optics for it's time. With almost 7 times more resolution and a much faster processor... this camera rocks! Last year I put down my SLR because it was too cumbersome to drag along with me on a daily basis and on vacation. I picked up this camera JAN2011 and I have been using nothing else since. I even use it for some HDR bracketing processed photography. It's kicks ass over my 12 mp SLR and it's just as fast. The image file size is of no concern to me. I can still get plenty of HQ photos and videos on a single 8GB Micro SD chip.

I did notice that the street price (not on Amazon) has dropped since I bough this camera. I think the new version will be out soon.

My only complaint is that it doesn't shoot in RAW format. But, with 14+ MP, who cares?

Buy Samsung CL80 14.2 Megapixel Wi-Fi Digital Camera Now

Very happy with our Samsung CL80. The pictures are everything Samsung says and the ability to close-ups is amazing. I have shot snow crystals on leaves and many other things, pushing the camera and it comes through. I am using it to capture the items my wife and I cut in glass prior to putting them into the kiln and the CL80 does a great job. We are very happy with the camera, with Samsung and with Amazon.

Read Best Reviews of Samsung CL80 14.2 Megapixel Wi-Fi Digital Camera Here

I bought open box item from best buy payed $150.00.

Dame the picture is great, touch screen respond great. HD video recording great.

But wifi seems not working well. Anyway, I don't use wifi stuff anyway. for the price I payed and quality of pictures... I think this camera is last one for me, no more another digital camera!!!

Although, I need to learn more about this camera. It seems like have more powerful functions, if you don't want to use auto mode....

Want Samsung CL80 14.2 Megapixel Wi-Fi Digital Camera Discount?

I am very pleased with this camera. I must admit it has more bells and whistles than I can use but for a back-up camera on hikes and bike rides it's perfect. The pictures are very resolute; the ease of loading onto my computer was a whiz; the auto settings are perfect for quick shots of wildlife; the battery seems to last forever. I would totally recommend this camera to anyone. However, the technical aspects of this camera are a little daunting to me because I am not much of a "techie" but for others it may be a snap. The auto settings are every thing I need.

Sunday, July 28, 2013

Sony Alpha NEX5K/B Digital Camera with 18-55mm Interchangeable Lens - Black

Sony Alpha NEX5K/B Digital Camera with 18-55mm Interchangeable Lens - BlackPeople, I LOVE this camera. I bought it thinking there was an 85% chance I was going to return it, but am happy to tell you that as soon as I uploaded my first pictures, I was smitten. I was most worried about picture quality, because I had previously owned a Sony a200 and a700, and ended up selling both for a Canon and Nikon, because the picture quality just wasn't up to snuff. My most recent camera was a D300s and I would say that the nex5 performs almost as well as it in most situations and even better in a few. And the nex5 video blows the D300s out of the water! Obviously everyone has different needs and preferences from their camera so all I can do is tell you what my needs were and why the nex5 is so great for them.

The picture quality was the most important thing for me, which was more than adequate so the next most important criteria was the LCD. The LCD on my D300s was a complete joke, as I couldn't see squat on that thing in even moderate sunlight. This was extremely frustrating but since it was based on an OVF anyway, I just dealt with it. But I started my photography in this digital age on a Canon S2IS which had a swivelling screen and full-time live-view, and honestly, I've missed that method of taking pictures ever since I moved up to dSLR's. The two things that I wanted most out of the LCD on the nex5 were adequate visibility in bright sunlight, and real-time exposure compensation, so that you know EXACTLY what your picture would look like before you take it. It passed both of these tests with flying colors. The second day I had it, my wife and I went fishing on the river, in the afternoon sun. Live view photography would have been impossible on my D300s but I had no problems with the nex5. Understand that it will get a little washed out, but I was still able to compose as well as I needed and set exposure almost spot on. When I got home and uploaded my pics, this was confirmed for me as they just looked amazing. The best part about it was knowing that I wouldn't have gotten any of those shots with my D300s, simply because I wouldn't have brought the dang thing because I already had a bunch of stuff to carry. The sony just fit in my pocket (cargo pocket, with 18-55) and was out of the way until needed.

The other great things about this little guy are the ISO performance, which is ridiculous (better than D300s) and the high-speed continuous mode. Just to be straight on this, it will take 7, full-resolution photos a second, but locks exposure and focus. If you want it to refocus and adjust exposure, the best it can do is about 2 1/2. Of course there's the panoramic mode (haven't tried it), HDR mode (don't like it), and twilight mode (don't like it). Oh yeah, and I love the detachable flash which is solid as a rock when attached, but since I hardly ever do flash-photography, I love to be able to get it out of the way for the majority of the time.

For me this is the best camera on the market right now. I tested it against the Lumix G2 and thought the picture quality is noticeably better on the Sony (I do think focus is faster on the G2 though certainly a great camera too), not to mention the form factor is so much smaller! But, with all that said, I fully plan on selling it in the fall when the new batch of cameras come out because there are a few things that the nex5 doesn't have that I desperately want.

First of all, the menu sucks. There's no way around it if you ever try to change the settings, you are going to be frustrated by it. I could live with that, but there are other things missing. As good as the LCD is, I really want an EVF, even if I have to have a slightly larger body. I also really need just a few more buttons, namely: ISO, Focus lock, AE lock, but I do like the minimalist approach, because I absolutely hate the millions of buttons that Canon and Nikon throw on their cameras. As I mentioned, the video is very good, and although it does have an exposure control, so you can increase or decrease the brightness by two stops at any time (kind of neat), I need full manual control over video. The only other things that I don't really like are just nagging things that I could live with, but I'm hoping will improve in my next purchase, they are: battery life, screen blackout, and shutter noise. Battery life goes really fast on this camera and spares are ridiculously priced at $70, but I can understand that it takes a lot of juice to run that screen, so I could live with it. The screen does black out when you take pictures for what seems just a hair too long. It's not terrible, and for a $700 camera it's actually very good, but it's just something that would bother me in the long run. The shutter is surprisingly loud. The first day I got it I took a picture of my wife taking a nap on the couch and it actually woke her up! I'm not saying it sounds like a freight train, but unfortunately, I love taking incognito pictures in crowded places and would definitely have to be a little more careful with this little guy.

So, all in all, this is my favorite camera I've ever owned. I mention that I plan on selling it only because I know that the evolution will be to bring more and more functions to this small sized, mirrorless style camera, otherwise I wouldn't. If I had to choose between every camera out there right now, I'd choose this one every time. But I'm keeping a keen eye out for the nex7 and gh2 that should be coming out this fall, and guess that one of those cameras will be pretty much perfect for me.

UPDATE

Now that they've started manufacturing adapters for the NEX, I got myself a Canon FD lens adapter which has really taken the camera to a whole new level. Understand that you will only have manual focus with any adapter but Sony makes it very easy by dedicating the bottom button to MF Assist which zooms in so you can make sure that your focus is sharp! Even though some of the lenses dwarf the tiny little NEX, it still handles very comfortably and efficiently. If you love this camera but are frustrated with the selection (or lack of) of lenses, check out the options on ebay those old lenses are a real bargain now.

I figured I'd share my thoughts for the vast majority of people who most likely purchase some things like I do. We have a 10-month old and my wife and I wanted a camera that would allow us to take awesome pictures. DSLRs were too big to lug around and after reading the specs and seeing the Olympus and Panasonic I decided to hold off until this Sony came out. Very happy that we did. This camera makes you feel like a professional photographer. Don't worry about trying to get that one shot, I just hold the button down and grab tons of photos hoping to get the kid posed with the right facial expressions. We've taken it to the beach, outside in the yard, in the house, etc. and the photos are stunning.

Then there is the absolutely undeniable "coolness factor" of having this camera in your hand as you are snapping photos. It is so small compared to anything else that you are just amazed as to how it feels perfect in your hands. I held the NEX-3 and it's garbage compared to this one. It's not just the difference in movie quality, the NEX-5 has superior quality to the NEX-3 when you play around with them. They shouldn't even sell the NEX-3 when you compare how much worse it feels in your hand. You still hold the lens like a professional would and I love the LCD compared to a viewfinder. Since you can bend it all over the place even in crazy light you can still see the image. Cannot wait to take this on vacation.

The videos are breathtaking. Yes they are amazing. The camera does it's best job trying to auto-focus and there is an occasional time where the video might go out of focus, but even with manually zooming in and out the quality and focus seem to stay extremely well. Keep in mind that since the LCD is your viewing option you may notice your breathing over the audio of the video depending on how you hold it. Didn't bother me though once I corrected for it.

Don't open the box and just expect to start taking amazing photos if you've never had a camera like this before. But it doesn't take long to get adjusted and make your wife wonder why you ever wasted money on a professional photographer. It'll pay for itself within a few years.

As far as I am concerned the target audience for this camera is families or individuals who are sick of crappy photos with a point and shoot. If you want to be a camera snob and dissect the features it has or doesn't has, that's your choice. But I'll never use half the stuff on here and if I do figure it all out, then I'll probably be obsessed with a really nice DSLR and photography as a whole. But I'll always love this camera.

The panoramic mode is really nice too and this camera has taken it from gimmick feature to legitimate. Haven't had a chance to play with 3D yet but that's a gimmick right now and I really could care less.

If you want a small, really cool, well built camera that takes unbelievably awesome pictures and 1080p video...buy the NEX-5!

Buy Sony Alpha NEX5K/B Digital Camera with 18-55mm Interchangeable Lens - Black Now

Years ago I was a serious amateur photographer using the best SLR gear available. I've been point-and-shoot for the last decade, largely because professional quality DSLRs were quite expensive and too big & heavy to take along on hikes and trips. The Sony NEX5 enticed me to upgrade from my Panasonic Lumix DMC-FZ5 (a very good point and shoot). Based on the specs and the initial reviews, the NEX5 seemed to have everything I wanted and needed: small size and weight, interchangeable lenses including lenses from other cameras with adapters, manual control of aperture/ISO/shutter speed when desired as well as sophisticated automatic controls, big CMOS sensor, reasonable price, and SONY reputation for quality. HD video is a nice feature as well.

I've used the camera for the last month. If I had it to do all over again I would wait for the next version or the next offerings from other companies. It isn't that I don't like the camera -it is fun and I'm still likely to string it around my neck when I go out for walk. But it falls short of what I want in several areas:

1) No viewfinder. The LCD display is big and bright, but if you're outdoors with a bright sun on the display you simply cannot see what you're shooting. If you're in automatic mode, you can shoot a bunch of shots and probably will find what you want somewhere in there, but if you're making any manual adjustments or using a lens from another camera, forget it. For me this is a fatal flaw.

2) Useability with other lenses. I have a large collection of high quality Pentax k-mount lenses from my serious amateur phase. How great, I thought, to be able to mount these on the NEX -I'll have great glass and I won't need to buy more lenses. So I bought a K to NEX adapter (about $25 on eBay). I knew would have to manually focus my old lenses on the NEX body, but I had to manually focus them when they were on my Pentax film camera, so I thought that would be fine. In fact, this works well with a short lens and a stationary object. Thus with a 55mm f1.4 Pentax lens and flowers as the subject, I can get some wonderful pictures with the NEX. But I'm mostly a wildlife and landscape photographer where a longer lens is necessary. Slap a 200mm telephoto lens or a big zoom on the NEX and you've got problems of two types. First there is blur because SONY builds its image stabilization system into the lens rather than into the NEX body. So with a 3rd party long lens there is no compensation for hand shake, and your hand will shake with a long lens. Second, you have to manually focus using the LCD display, but see my first point. The only way the NEX will work well with a long lens from another camera system is if you use a tripod, have a stationary subject, and can shield the LCD display from bright sun. This means that if you want to use your NEX for anything that requires a lot of magnification, e.g., sports, birds, many types of landscape, you'll have to pay $800 for the NEX 18-200mm zoom, which isn't available anyhow. When you add $800 for a usable long zoom lens to $700 for the NEX5 kit, you've moved into a price point where you may be better off buying a Pentax or Canon system camera where used lenses and 3rd party lenses are readily available.

3) Menu system. Yes, Sony has improved the menu system with a firmware upgrade, but you still have to click your way through menus on the LCD screen to set anything manually, whereas on other digital SLRs and many high end point-and-shoots there are buttons on the camera body devoted to particular functions. This is a killer on the NEX because there isn't a viewfinder. So you've got a nice shot composed on the LCD screen of the NEX and you would like to increase the exposure -stop, open the menu system on the LCD screen, switch to aperture priority mode, recompose your picture if your subject is still there, stop again, adjust the aperture using the dial on the NEX body and get the readout on the LCD screen, recompose your picture and if the subject is still there: shoot. On a SLR digital camera with a viewfinder and a dedicated button for aperture control you would compose the picture, adjust the aperture with your thumb, and shoot. The menu system won't get in the way of your use of the NEX if you're going to use it only in automatic mode. But if you want to treat it like a real DSLR, forget it.

4) Service. The battery charger that came with my NEX-5 kit, died after the first use. I've spent maybe 3 hours on the phone with various SONY support people and after nearly a month of waiting have been promised that a replacement unit is in the mail to me. Here is a more or less verbatim version of one of my interactions with SONY support:

Me: I was told a week ago that a replacement was being mailed but I've check online with the order number I was given and can't find a record of it.

SONY: We were having problems with our system a while back and maybe your order was lost

Me: Then please place a new order

SONY: Okay, but I'm technical support. You'll need to speak to customer support to get that done.

Me: Can you transfer me.

SONY: You'll have to phone them during regular business hours.

Me: When are regular business hours

SONY: M-F

Me: (It's Saturday morning). Given that you've lost my order and I'm sitting here with a new camera I can't use because the battery has run down, you'll have to do better than telling me to start over on Monday. I would like to speak to a supervisor.

SONY: I understand your concern. It will be best if we move this up to the next level -SONY customer relations.

Me: Great. Can you transfer me.

SONY: I can't because they're only open during regular business hours.

I gave up and ordered a third party battery charger from Amazon that arrived in two days.

The bottomline: If you want the nicest and coolest point-and-shoot our there and don't need a lot of magnification for distant scenes or sports, buy the NEX. You'll like it. If you want a light DSLR for serious photography, wait until SONY or another company gets it right.

Read Best Reviews of Sony Alpha NEX5K/B Digital Camera with 18-55mm Interchangeable Lens - Black Here

I've had the Sony NEX-5 for a little over a week now. I have it with both the 18-55mm and the 16mm. I chose the black body which I think contrasts well with the silver lens. I prefer the 16mm because it has a nice 2.8 aperture which gives me better low light performance.

The camera is fantastic. It feels solid in your hand and the sound of the shutter and vibration of the camera make you want to shoot photos with it. Overall build quality is great. (The body is metal with a plastic grip.)

The controls on the camera are good, but not great. The dedicated video button is nice and I like the location of the playback and power buttons on top. The LCD screen on the back tilts but I haven't had a need to use it much.

The LCD menu controls are probably the biggest limitation on this camera. It is not easy to work with this camera in manual mode and getting to a particular feature can take a lot of scrolling and clicking.

The photos I produce with this camera are excellent. The video is also quite good.

Low light performance is good and I've never had a need for the supplied flash.

Want Sony Alpha NEX5K/B Digital Camera with 18-55mm Interchangeable Lens - Black Discount?



Let me start by saying that I LOVE this camera... as a still camera. The photos it shoots are very impressive. The lenses, though currently limited in range, are very nice (I have them all.) I love the small, compact size, the progressive engineering and innovative technology. As a still camera, I think the NEX 5 is a thing of beauty.

...The problem is that they also promise that it shoots video and it does in short bursts that aren't too close together. The Sony spec states that you can shoot 29 minutes of video at a time. What they don't say is that the reason you can only shoot in limited amounts is because the camera is prone to overheating. They also don't tell you that to get 29 minutes of shooting time out of it you have to shoot in a refrigerator.

I took it to a Mardi Gras Indian Jazz Funeral Second Line in New Orleans yesterday to try out the video feature. I chose this camera over my NEX VG10 because the NEX 5 is smaller, more discreet and easier to manage in a crowd. It's summer in New Orleans and about 100 degrees so I made sure I kept my shots short under 5 minutes and I tried to give the camera some cooling time in between shots. I thought my conscientious method of shooting would prevent the camera from even coming close to overheating, but I was so wrong. After about an hour of shooting on and off, the procession stalled and I found a perch on top of some stairs with a great vantage and waited in the direct sun for the procession to start up again. I had been waiting about 10 minutes with the camera on standby when the procession started rolling. I shot for about 6 minutes, getting the best footage I had gotten all day. I hit the record button to turn off the recording and I got a message that the camera had overheated. It lost my footage!

I took the lens off so it would cool down faster and ran five blocks to get ahead of the procession again and to try to find another high vantage point. Finally I found a pick up truck and jumped up on the back bumper, reattached the lens and hoped for the best when I turned the camera back on. I shot for about three minutes, but the moment was lost it was so hot that the crowd had dwindled considerably.

I'm sure that under better conditions the results would be much better, but I would never try to push 29 minutes of video out of this camera I'd be afraid it would melt the sensor! If you're considering this camera because you want a high quality still camera that you can also use for HD video, be forewarned that you'll have to manage your video shooting very carefully and it may crash in the middle of your video shot. I certainly wouldn't use it to shoot video for anything important.

I would only consider it usable for video in optimum conditions cool weather conditions or indoors and only for very, very short bursts with plenty of cooling time in between with the lens off the body to help dissipate the heat.

I've attached the video that I shot yesterday. The quality is very nice: good saturation, adequate auto white balance and decent audio if you buy the Sony ECMSST1 mic that fits on the smart shoe. Though the NEX lenses have image stabilization, for video it's minimal at best.